Author: Ann Hornaday
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Greta Gerwig makes triumphant debut as solo director with coming-of-age comedy ‘Lady Bird’
“I wish I could live through something.” So says Christine McPherson, the spiky, moody, flawed and delightful protagonist of “Lady Bird.” The movie takes its title from the name Christine has bestowed upon herself during her senior year at a Catholic high school in Sacramento, which she sniffily dubs “the Midwest of California.” Everything’s terrible…
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Movie review: ‘The Florida Project’: In seedy shadows of Disney World, a child tries to make a magic kingdom
“The Florida Project,” Sean Baker’s exuberant, ungovernable ode to the innocence and resilience of childhood, takes place in a ramshackle lavender-painted hotel called the Magic Castle, hard by Orlando’s Disney World. Along with its neighboring oxymoronically named fleabags, the Magic Castle evokes the American Dream, while denying it at every downbeat, threadbare turn. It’s American…
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Movie review: ‘Battle of the Sexes’ is a relevant spin on a 1970s tennis match
Starring Emma Stone, Steve Carell, Andrea Riseborough, Natalie Morales, Sarah Silverman, Bill Pullman; directed by Jonathan Dayton and Valerie Faris; 121 minutes; PG-13 for some sexual material and partial nudity. At a time when Venus and Serena Williams reign supreme, it’s difficult to visualize a time when the fight for gender equity in tennis was…
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Upcoming movie lineup full of promise
Summer 2017 is going down as one of Hollywood’s worst in recent memory, notwithstanding such standouts as “Wonder Woman,” “Dunkirk” and the little-rom-com-that-could, “The Big Sick.” But who are we kidding? Filmgoers of discerning taste know Hollywood typically holds back the good stuff for cooler weather, and this year is no exception. With such highly…
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‘Marjorie Prime’: A not-too-distant future haunted by an unnervingly recent past
Starring Jon Hamm, Geena Davis, Tim Robbins, Lois Smith; directed by Michael Almereyda; 98 minutes; unrated, contains very brief nudity and smoking. In “Marjorie Prime,” Lois Smith plays Marjorie Lancaster, a woman suffering dementia after her husband’s death. Still living in the couple’s attractive seaside home – with daughter Tess and son-in-law Jon (Geena Davis…
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Movie review: Robert Pattinson delivers quite a performance in ‘Good Time’
Starring Robert Pattinson, Ben Safdie, Taliah Webster, Jennifer Jason Leigh; directed by Ben Safdie and Josh Safdie; 100 minutes; R for crude language throughout, violence, drug use and sexuality. In the lowlife picaresque “Good Time,” Robert Pattinson delivers what some will surely call a career-making performance, especially if they’ve missed his impressive turns in indies…
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Movie review: In ‘Wind River,’ Jeremy Renner plays a game tracker solving a murder
Starring Jeremy Renner, Graham Greene, Elisabeth Olsen; directed by Taylor Sheridan; 107 minutes; R for strong violence, a rape, disturbing images and obscenity. A harsh, wintry beauty pervades “Wind River,” screenwriter Taylor Sheridan’s modestly assured directorial debut. In this sturdily effective thriller, Jeremy Renner plays Cory, a U.S. Fish and Wildlife Service tracker whose job…
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Movie review: Salma Hayek mournfully radiant in gentle parable ‘Beatriz at Dinner’
Starring Salma Hayek, Chloe Sevigny, John Lithgow, Connie Britton; directed by Miguel Arteta; 83 minutes; R for obscenity and a scene of violence. Salma Hayek is virtually unrecognizable in “Beatriz at Dinner,” a parable in which she plays a massage therapist and healer whose car breaks down at the home of a wealthy client in…
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Review: Diane Lane anchors the breezy road movie/rom-com ‘Paris Can Wait’
Starring Diane Lane, Alec Baldwin, Arnaud Viard; directed by Eleanor Coppola; 92 minutes; PG for mature thematic elements, smoking and some coarse language. An ode to food, France, film and flirtation, “Paris Can Wait” is a creamy but not entirely disposable bonbon of a movie. Writer-director Eleanor Coppola makes her narrative feature debut, albeit with…
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‘The Lovers,’ with Debra Winger and Tracy Letts, is a charming late-in-life sex comedy
In “The Lovers,” a sly but forgiving sex comedy by Azazel Jacobs, Debra Winger and Tracy Letts play a couple trapped in a marriage as drab as the dun-colored walls of their suburban house. Their characters, Mary and Michael, never argue or come to psychodramatic blows. They’re too exhausted for that. Instead, they engage in…





